No lie: 'Invention' is funny
Ricky Gervais is a very funny guy.
In "The Office," the brilliant British sitcom he created and wrote with Stephen Merchant, Gervais played a cringingly hilarious office manager who was a lot less intelligent or talented than he believed.
In "Extras," also made with Merchant, he was just as good as a struggling actor who discovers the truth in the old adage of being careful about what you wish for.
Source: www.kansas.com
One angry man
In Extraordinary Measures, Harrison Ford is chair-kicking angry. Pig-biting angry. Angrier than a one-man production of Twelve Angry Men. He plays Dr. Robert Stonehill, a medical researcher with a potential cure for a fatal genetic disorder and a compulsion to lock horns with anyone he considers his intellectual inferior, which is everyone.
Based on a real-life story, Extraordinary Measures, from the new studio CBS Films, would fit snugly into the two-hour slot behind CSI: NY. It has the production values, visual texture and maudlin tone of a disease-of-the-week teleplay. Fords participation, and the grandstanding performance he delivers, raise it from a middlebrow TV-style weepie to a higher plateau of quality. Intermittently, anyway.
The tear-jerking starts early and proceeds until our lachrymal glands are milked, squeezed, sucked and bled dry. Brendan Fraser and Keri Russell play John and Aileen Crowley, whose two youngest children have Pompe Disease, a lethal muscle-waster. John is a star executive but his kids health crisis overshadows career concerns.
Source: www.kansas.com
Andrews misses singing
LOS ANGELES — Julie Andrews wants to make one thing perfectly clear — she's not making a comeback as a singer.
For the past few months, Andrews has been trying to dispel rumors that she has had vocal reconstruction surgery. Back in 1997, she had non-cancerous nodules removed from her throat, silencing the glorious soprano that graced the Broadway musicals "My Fair Lady" and "Camelot" and film classics such as 1964's "Mary Poppins," for which she won a best actress Oscar, 1965's "The Sound of Music" and 1982's "Victor/Victoria."
Andrews says a week after this erroneous report began to circulate on the Internet, it was announced that she was going to do a big concert this May in London.
Source: www.kansas.com
How Deep Is Your Love - The Bird & The Bee
How Deep Is Your Love - The Bird & The Bee
Source: www.rhapsody.com
All Dressed In Love - Jennifer Hudson
All Dressed In Love - Jennifer Hudson
Source: www.rhapsody.com
How Can You Mend A Broken Heart - Al Green
How Can You Mend A Broken Heart - Al Green
Source: www.rhapsody.com
The Look Of Love (Madison Park Vs. Lenny B. Remix) - Nina Simone
The Look Of Love (Madison Park Vs. Lenny B. Remix) - Nina Simone
Source: www.rhapsody.com
Walk This Way - Run-D.M.C.
Walk This Way - Run-D.M.C.
Source: www.rhapsody.com
Holywood's guilty pleasure
No one can lay a glove on the Golden Globes. It's the award show that has survived so many crazy incidents and outrageous behavior over the years that it has developed an an almost absolute immunity to criticism.
Showbiz journalists have penned detailed exposes, columnists have mocked the movies nominated by the Hollywood Foreign Press Association, TV critics have panned the show, but nothing — not even the infamous choice of Pia Zadora as new female star of the year — has been able to stop the Globes from motoring along as one of Hollywood's most unlikely institutions.
I suspect the Globes owe their robust health less to their value as an award season barometer than to the fact that everyone in Hollywood enjoys the idea of having an award show that is as raucous and silly as the Academy Awards is stuffy and tame. The Globes are Hollywood's ultimate guilty pleasure. If the Oscars are as earnest as an Ed Zwick movie, the Globes are as daffy and unpredictable as a Sacha Baron Cohen comedy.
Source: www.kansas.com
Sundance buyers expected to focus on low-budget horror
Midnight at the Sundance Film Festival is usually when most Hollywood types are just starting to party. But at this year's showcase of independent film, many film buyers will be heading in a different direction: late-night sales screenings.
The 26th annual festival, which kicked off Thursday in Park City, Utah, has yielded the art house breakouts "An Inconvenient Truth," "Little Miss Sunshine" and "Reservoir Dogs." Over the next 10 days, though, distributors could be less interested in potential award-winners than carnage and comedy.
With the ultra low-budget "Paranormal Activity" emerging last year as one of the most profitable movies in Hollywood history — made for about $15,000, the supernatural story grossed $107 million domestically — there's fresh Sundance focus on Park City at Midnight, the festival section dedicated to inexpensive horror works and often raunchy comedies.
Source: www.kansas.com